Our creators ALL | 249 designers

Nagisa Shirai was born in Japan in 1991. At a young age, Shirai has already won many ceramic awards and is a rising star in Japan's ceramic art world.

She developed her own unique technique blended with the traditional Japanese technique of suminagashi (墨流し), meaning floating ink, by waving the tip of the pen on the water surface to make the ink flow. Her signature includes forming endless and mesmerizing wave textures by using her own interpretation, along with white colored paint that expresses her Japanese aesthetics.

Her works have been exhibited in Japan, Taiwan and Hong Kong.

NakedLab was founded in 2018 after founder Joyce Lau became a first-time mother with the birth of her baby daughter, Pia. Her journey began as she explored organic and hypoallergenic bedding options for Pia who was two months old at the time and battling a serious case of eczema. Recognizing that the quality of infant bedding can have a significant effect on sleep quality and skin health, Joyce established NakedLab as a way to provide wholly natural and organic products, with the quality one would want for their own family and loved ones.

The brand’s signature BambooSilk bedding is lightweight, naturally breathable and temperature regulating. Crafted from 100% organic and sustainably sourced bamboo, it is vegan and eco-friendly, Oeko-tex certified free of any harmful chemicals and made from one of earth’s most efficient plants. 

Their range includes baby cot sheets, children's bedding, pillowslips and bamboo towels.

Ne Muni, established by heritage brand Mr. Salik Nepal Concept, was founded in 2018 as a retail platform for pashmina / cashmere wares and merchandise, handmade jewelry, fashion accessories, as well as wellness accessories, such as singing bowls and spa equipment. All products are sourced from Nepal, at the foothills of the Himalayan range.

A staple of the kingdom with the world’s highest peaks, pashmina/cashmere is spun from the downy undercoat of the Himalayan mountain goat, Chyangra, which live at high altitude (above 15,000 feet). The colder the conditions the better the quality of the wool. The word pashmina is derived from 'pashm' which means 'inner layer of hair'. For more than four hundred years, Nepalese craftsmen have been weaving these shawls using traditions handed down from father to son.

Ne Muni was built with a mission to respond to the constantly changing needs of the modern consumer while carrying on the legacy of luxury products and materials, such as pashmina / cashmere. For the brand, the quality of the work is paramount.

NestBloom is a revolutionary new brand specializing in the creation of epicurean edible beauty products featuring Bird's Nest as its main ingredient.

Founded by Cieyou Lim, who joined Yan Yuan, his family's bird's nest commodity trading business in 2014, NestBloom seeks to welcome newer generations of diners to the table. The brand is dedicated to transforming Asian gastronomic traditions into modern epicurean delicacies.

The youngest of three children, Cieyou's Indonesian family moved to Singapore when he was a child. He recalls his mother bent over a ceramic double boiler, using tweezers to pick out fine feathers, before slow-cooking the tonic with American ginseng for hours, for the family. Aware that this generation has neither the inclination nor patience to cook bird's nest the old school way, NestBloom requires only the addition of hot water.

Each "bloom" is perfection, incorporating the best recipes, and the finest harvests sourced from all over the world to ensure impeccable quality. NestBloom products are hand crafted lovingly, so they bring diners a touch of elegance, beauty and self-love – wrapped in a moment of mindfulness.

Nie Jingzhu, Chinese pioneering visual artist and designer, is a graduate of the China Central Academy of Fine Arts. She has worked with the National Centre of Performing Arts, the National Theatre of China, and the Beijing People’s Art Theatre. With her unique concepts of design, she is inspired by symbols from modern theatre aesthetics.​

Nie Jingzhu works with some of the most important Chinese theatre productions, such as Rhinoceros In Love, Amber, Soft (by Meng Jinghui), An Enemy of the People and Li Yu (by Lin Zhaohua), KACHIKACHI (by Tadashi Suzuki), 18 Springs (by Edward Lam and Mathias Woo), The Long March (by Tian Qinxin), and You and Me (by Zhang Yimou). ​

She has worked as a creative director for the Beijing Fringe Festival and Wuzhen Theatre Festival. She is also an excellent graphic designer for film posters, with works including Bodyguards and Assassins (by Peter Chan) and Reign of Assassins (by John Woo).​

Nie Jingzhu has exhibited at the Second Contemporary Theatre Biennale (Shenzhen), “Comparisons 2020 le salon ART CAPITAL” in Paris, and Biennale Architettura 2021 How Will We Live Together? in Venice. She has also won several awards for her work, including Young Artist of the Year and Designer of the Year.

NIFLORAL was established in 2000. Committed to R&D + promotion of home imitation plants + flower arrangements. Products are distributed in 20+ countries at home + abroad, with positive client testimonials.

NIFLORAL owns 2 major brands: Imitation Florals + Imitation Greenery. Studying major international fashion, retail consumption, color + cross-border trends, to develop + design more distinctive imitation floral + green plants, to become an affordable solution for interior decoration.

Corporate clients include Gujia Home Furnishing, real estate developers such as Country Garden, China Overseas Real Estate, City Window, Guerlain + other famous consumer / retail brands.

Minoru Nishimura, the founder of Nishimura Shouten, started the gold and silver thread and hikihaku business for the Kyoto Nishijin textiles industry in 1924. Craftsmen who design hikihaku make the base papers with skillful use of gold and silver foils. Then, craftsmen called "kiriya" cut those base papers as thin as 0.3mm wide. These thin thread yarns are handed to the "oriya" who weave them into Obi textiles.

Shuichi Nishimura, a second-generation owner took over from his father in the 1970's during the Decade of Osaka Expo, an unprecedented era of strong economic growth. With growing demand for hikihaku, he evolved the business from general gold thread manufacturing to specialized hikihaku production, expanding to 20 craftsmen and multiplying their product range.

Naoki Nishimura, the third generation and current head of the company, was brought up amidst the busy workshop and the true beauty of hikihaku. After studying business administration and three years of training with an obi wholesaler, he learned the techniques of hikihaku by practicing every day. He is now in quest of the limitless possibilities of hikihaku, designing unique works of art leveraging a wide range of skills and artistry.

Nissa Kauppila holds a BFA from the Rhode Island School of Design and an M.Ed. from the University of Vermont.

Having lived in Shenzhen and Hong Kong, Kauppila's deep immersion in Chinese painting awakens a sense of fragility. Her work explores the use of line and color as tendrils of tension while embodying a sense of wonderment for the natural and industrial worlds. She challenges the notion of context, forcing the viewer to confront the abrupt beauty of life and death through the explosive movements in color, line, and depth.

Kauppila's paintings have been exhibited internationally in Hong Kong, Macau, Mainland China, Singapore, South Korea, London, Hamburg, Barcelona, Singapore, Taiwan, and the USA. She currently has gallery representation in Mainland China, Singapore, and the USA.

Founded in early 2018, Noah & Grey is a lighting studio started by K.C. and Pak, a father and son team who are passionate about the beauty of analogue tech.

In a tiny studio amongst the skyscrapers of Hong Kong, they are on a journey to build beautifully crafted, purpose-driven products, with playful dichotomies that will snap you out of the everyday monotony.

On a mission to elevate mood, experience, and wellbeing through intelligent and functional use of technology, the studio’s work is guided by the rich narratives of the past, and driven by the bold inventions of the future, with the ultimate aim of finding beauty in function, form, and experience.

NOOCI is on a mission to make Traditional Chinese Medicine (TCM) accessible to all. By combining time-honored ingredients, science-backed research, and the latest herbal extraction technology, NOOCI is modernizing TCM for today’s busy lifestyles to meet people where they are on their wellness journey.

NOOCI’s unique plant-based supplements are formulated by doctors, made in Japan, and are non-GMO, vegan, gluten-free, and third-party tested.

Founded in 1916, NOUSAKU started its journey with manufacturing Buddhist ritual objects, Japanese tea sets, and vases made of brass and bronze in Takaoka, Japan. The city has built a reputation as the center of the copper industry in Japan since 1609.

With traditions and manufacturing methods passed on for over 400 years, NOUSAKU now has an impressive oeuvre of timeless metal products. In 2002, NOUSAKU developed the world’s first 100% pure tin tableware that maximizes the material’s special malleable properties. “KAGO”, a flexible pure tin basket, became the masterpiece of the brand, gaining popularity in the USA and Europe and was selected by MoMA Design Store in New York in 2017.

Every NOUSAKU product starts with the creation of a sand mould which could be re-used repeatedly, and then undergoes several finishing processes. Hand-finishing by experienced craftsmen accentuates each product’s material beauty and fineness.

NOUSAKU has received the Blue Ribbon Medal of Honor by the government of Japan.

Nozomi Fujii is a ceramic artist who mainly works on designer vases. She grew up in the quiet town of Kuwana, Japan. During her childhood, she was fascinated with the idea of creation and its systematic planning throughout the process, which eventually became the starting point of her career as a ceramic artist.

She studied ceramic art at the Tokoname City Municipal Ceramic Art Laboratory. She has been participating in domestic solo as well as group exhibitions since 2009. In 2020, she was invited to 1000 VASES in Paris.

Nozomi insists on using pottery wheels for her works due to their absolute limitation. This limitation is born from its concentric movement that only allows her to shape clay symmetrically. She is fascinated by the process of creating beautiful shapes within the limitations. She does not use glaze in order to bring out natural colors and original textures from the clay. By doing so, she extracts the primitive sense of ancient times from the clay, and visualizes her pieces in a modern style.

Her works bring a refined sense and tranquility to any space.